In Theory

Chirilă Briana-Nicola, Constantin Eduard-Robert

Author(s) / Team representatives

Chirilă Briana-Nicola, Constantin Eduard-Robert

Profession

Architecture student

Co-authors/team members

Constantin Eduard-Robert

Project location

Timișoara, România

Area

11000 mp

Project design year

2025

Photo credits

Chirilă Briana-Nicola, Constantin Eduard-Robert

Text presentation of the author/office in English

Briana Chirilă is a creator in the field of architecture, working across sustainable design, urbanism, and built heritage preservation. Her practice bridges ecological research and Architecture, with a focus on sustainability frameworks and harmonious integration into historical urban fabrics. In her work, she aims to balance environmental innovation and the functionality of public spaces, exploring life cycle assessments to develop durable and cohesive architectural solutions. She is also an architecture student in Timișoara, having broadened her academic experience through international mobility programs in Spain and the Czech Republic.

Project description in English

The proposed ETHOS Contemporary Art Center addresses Timișoara’s need for a dedicated, flexible space for contemporary and performing arts. Rooted in Michel Foucault’s concept of "heterotopia," the architecture creates an "other space"—a hybrid, ambiguous environment outside the ordinary realm. It offers a cumulative universe where multiple realities, mirroring the diverse political, social, and technological themes of contemporary art, can coexist and deeply alter visitors' perceptions. Formally, the building presents shifting perspectives based on the viewpoint. From Vasile Pârvan Boulevard, it appears as three distinct volumes: two visually impermeable blocks flanking a completely transparent central structure, which serves as a symbolic anticipation of the visitor's journey. Viewed from the Bega River, these volumes rest on a well-defined, partially transparent plinth. The design cleverly inverts traditional paradigms: the lower, earth-bound levels are extroverted and engaged with the public, while the elevated spaces dedicated to art are heavily introverted and introspective. Symbolically, the square grounds the exhibition spaces, representing stability, while the circle symbolizes a connection to the sky, continuing the visitors' upward physical path into the exhibits.